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【反而】I found it very hard to make the purchasers understand that I had reasonable ground for objection to the process. What was it to me? How could it injure me if they stretched my pages by means of lead and margin into double the number I had intended. I have heard the same argument on other occasions. When I have pointed out that in this way the public would have to suffer, seeing that they would have to pay Mudie for the use of two volumes in reading that which ought to have been given to them in one, I have been assured that the public are pleased with literary short measure, that it is the object of novel-readers to get through novels as fast as they can, and that the shorter each volume is the better! Even this, however, did not overcome me, and I stood to my guns. Sir Harry was published in one volume, containing something over the normal 300 pages, with an average of 220 words to a page — which I had settled with my conscience to be the proper length of a novel volume. I may here mention that on one occasion, and one occasion only, a publisher got the better of me in a matter of volumes. He had a two-volume novel of mine running through a certain magazine, and had it printed complete in three volumes before I knew where I was — before I had seen a sheet of the letterpress. I stormed for a while, but I had not the heart to make him break up the type.【会因】【此战】【之声】“is born to blush unseen【造物】【要找】 【个数】Callida nervis —【属是】【稍稍】 

【虚空】It may be well that I should put a short preface to this book. In the summer of 1878 my father told me that he had written a memoir of his own life. He did not speak about it at length, but said that he had written me a letter, not to be opened until after his death, containing instructions for publication.【小白】【然是】 【翻涌】Many people would say that we were two fools to encounter such poverty together. I can only reply that since that day I have never been without money in my pocket, and that I soon acquired the means of paying what I owed. Nevertheless, more than twelve years had to pass over our heads before I received any payment for any literary work which afforded an appreciable increase to our income.【助待】【能量】.  

【暗界】Callida nervis —【流免】【的明】

【的黑】There is a woman, of whom not to speak in a work purporting to be a memoir of my own life would be to omit all allusion to one of the chief pleasures which has graced my later years. In the last fifteen years she has been, out of my family, my most chosen friend. She is a ray of light to me, from which I can always strike a spark by thinking of her. I do not know that I should please her or do any good by naming her. But not to allude to her in these pages would amount almost to a falsehood. I could not write truly of myself without saying that such a friend had been vouchsafed to me. I trust she may live to read the words I have now written, and to wipe away a tear as she thinks of my feeling while I write them.【以发】【那揭】

【答了】5 It was not abandoned till sixteen more years had passed away.【射出】【石桥】

【诡异】Are but mementoes of the past.”【境塌】【还打】

【突破】Chapter 18 “The Vicar of Bullhampton”【生灵】【战剑】

【开九】In writing Phineas Finn I had constantly before me the necessity of progression in character — of marking the changes in men and women which would naturally be produced by the lapse of years. In most novels the writer can have no such duty, as the period occupied is not long enough to allow of the change of which I speak. In Ivanhoe, all the incidents of which are included in less than a month, the characters should be, as they are, consistent throughout. Novelists who have undertaken to write the life of a hero or heroine have generally considered their work completed at the interesting period of marriage, and have contented themselves with the advance in taste and manners which are common to all boys and girls as they become men and women. Fielding, no doubt, did more than this in Tom Jones, which is one of the greatest novels in the English language, for there he has shown how a noble and sanguine nature may fall away under temptation and be again strengthened and made to stand upright. But I do not think that novelists have often set before themselves the state of progressive change — nor should I have done it, had I not found myself so frequently allured back to my old friends. So much of my inner life was passed in their company, that I was continually asking myself how this woman would act when this or that event had passed over her head, or how that man would carry himself when his youth had become manhood, or his manhood declined to old age. It was in regard to the old Duke of Omnium, of his nephew and heir, and of his heir’s wife, Lady Glencora, that I was anxious to carry out this idea; but others added themselves to my mind as I went on, and I got round me a circle of persons as to whom I knew not only their present characters, but how those characters were to be affected by years and circumstances. The happy motherly life of Violet Effingham, which was due to the girl’s honest but long-restrained love; the tragic misery of Lady Laura, which was equally due to the sale she made of herself in her wretched marriage; and the long suffering but final success of the hero, of which he had deserved the first by his vanity, and the last by his constant honesty, had been foreshadowed to me from the first. As to the incidents of the story, the circumstances by which these personages were to be affected, I knew nothing. They were created for the most part as they were described. I never could arrange a set of events before me. But the evil and the good of my puppets, and how the evil would always lead to evil, and the good produce good — that was clear to me as the stars on a summer night.【被衍】【者只】

【似乎】In The Claverings I did not follow the habit which had now become very common to me, of introducing personages whose names are already known to the readers of novels, and whose characters were familiar to myself. If I remember rightly, no one appears here who had appeared before or who has been allowed to appear since. I consider the story as a whole to be good, though I am not aware that the public has ever corroborated that verdict. The chief character is that of a young woman who has married manifestly for money and rank — so manifestly that she does not herself pretend, even while she is making the marriage, that she has any other reason. The man is old, disreputable, and a wornout debauchee. Then comes the punishment natural to the offence. When she is free, the man whom she had loved, and who had loved her, is engaged to another woman. He vacillates and is weak — in which weakness is the fault of the book, as he plays the part of hero. But she is strong — strong in her purpose, strong in her desires, and strong in her consciousness that the punishment which comes upon her has been deserved.【是迫】【灭主】

【在天】We continued this renewed life at Harrow for nearly two years, during which I was still at the school, and at the end of which I was nearly nineteen. Then there came a great catastrophe. My father, who, when he was well, lived a sad life among his monks and nuns, still kept a horse and gig. One day in March, 1834, just as it had been decided that I should leave the school then, instead of remaining, as had been intended, till midsummer, I was summoned very early in the morning, to drive him up to London. He had been ill, and must still have been very ill indeed when he submitted to be driven by any one. It was not till we had started that he told me that I was to put him on board the Ostend boat. This I did, driving him through the city down to the docks. It was not within his nature to be communicative, and to the last he never told me why he was going to Ostend. Something of a general flitting abroad I had heard before, but why he should have flown first, and flown so suddenly, I did not in the least know till I returned. When I got back with the gig, the house and furniture were all in the charge of the sheriff’s officers.【出来】【虽然】

【闷的】While I write this I well know that what I say, if it be ever noticed at all, will be taken as a straining at gnats, as a pretence of honesty, or at any rate as an exaggeration of scruples. I have said the same thing before, and have been ridiculed for saying it. But none the less am I sure that English literature generally is suffering much under this evil. All those who are struggling for success have forced upon them the idea that their strongest efforts should be made in touting for praise. Those who are not familiar with the lives of authors will hardly believe how low will be the forms which their struggles will take:— how little presents will be sent to men who write little articles; how much flattery may be expended even on the keeper of a circulating library; with what profuse and distant genuflexions approaches are made to the outside railing of the temple which contains within it the great thunderer of some metropolitan periodical publication! The evil here is not only that done to the public when interested counsel is given to them, but extends to the debasement of those who have at any rate considered themselves fit to provide literature for the public.【吃不】【下缓】

【更何】Nevertheless a certain class of dishonesty, dishonesty magnificent in its proportions, and climbing into high places, has become at the same time so rampant and so splendid that there seems to be reason for fearing that men and women will be taught to feel that dishonesty, if it can become splendid, will cease to be abominable. If dishonesty can live in a gorgeous palace with pictures on all its walls, and gems in all its cupboards, with marble and ivory in all its corners, and can give Apician dinners, and get into Parliament, and deal in millions, then dishonesty is not disgraceful, and the man dishonest after such a fashion is not a low scoundrel. Instigated, I say, by some such reflections as these, I sat down in my new house to write The Way We Live Now. And as I had ventured to take the whip of the satirist into my hand, I went beyond the iniquities of the great speculator who robs everybody, and made an onslaught also on other vices — on the intrigues of girls who want to get married, on the luxury of young men who prefer to remain single, and on the puffing propensities of authors who desire to cheat the public into buying their volumes.【一股】【身妖】

【的暗】There can be no assurance against cases such as these; and yet we are so free with our advice, always bidding the young aspirant to desist.【一蹬】【底刚】

【小的】From Mr. Colburn I did receive an account, showing that 375 copies of the book had been printed, that 140 had been sold — to those, I presume, who liked substantial food though it was coarse — and that he had incurred a loss of £63 19S. 1 1/2d. The truth of the account I never for a moment doubted; nor did I doubt the wisdom of the advice given to me in the following letter, though I never thought of obeying it —【挂着】【方植】

【一片】The question brought in argument is one of fearful importance. As to the view to be taken first, there can, I think, be no doubt. In regard to a sin common to the two sexes, almost all the punishment and all the disgrace is heaped upon the one who in nine cases out of ten has been the least sinful. And the punishment inflicted is of such a nature that it hardly allows room for repentance. How is the woman to return to decency to whom no decent door is opened? Then comes the answer: It is to the severity of the punishment alone that we can trust to keep women from falling. Such is the argument used in favour of the existing practice, and such the excuse given for their severity by women who will relax nothing of their harshness. But in truth the severity of the punishment is not known beforehand; it is not in the least understood by women in general, except by those who suffer it. The gaudy dirt, the squalid plenty, the contumely of familiarity, the absence of all good words and all good things, the banishment from honest labour, the being compassed round with lies, the flaunting glare of fictitious revelry, the weary pavement, the horrid slavery to some horrid tyrant — and then the quick depreciation of that one ware of beauty, the substituted paint, garments bright without but foul within like painted sepulchres, hunger, thirst, and strong drink, life without a hope, without the certainty even of a morrow’s breakfast, utterly friendless, disease, starvation, and a quivering fear of that coming hell which still can hardly be worse than all that is suffered here! This is the life to which we doom our erring daughters, when because of their error we close our door upon them! But for our erring sons we find pardon easily enough.【要么】【蛇般】

【并无】How I got my daily bread I can hardly remember. But I do remember that I was often unable to get myself a dinner. Young men generally now have their meals provided for them. I kept house, as it were. Every day I had to find myself with the day’s food. For my breakfast I could get some credit at the lodgings, though that credit would frequently come to an end. But for all that I had often breakfast to pay day by day; and at your eating-house credit is not given. I had no friends on whom I could sponge regularly. Out on the Fulham Road I had an uncle, but his house was four miles from the Post Office, and almost as far from my own lodgings. Then came borrowings of money, sometimes absolute want, and almost constant misery.【意外】【人跑】

【自在】Late in Thackeray’s life — he never was an old man, but towards the end of his career — he failed in his power of charming, because he allowed his mind to become idle. In the plots which he conceived, and in the language which he used; I do not know that there is any perceptible change; but in The Virginians and in Philip the reader is introduced to no character with which he makes a close and undying acquaintance. And this, I have no doubt, is so because Thackeray himself had no such intimacy. His mind had come to be weary of that fictitious life which is always demanding the labour of new creation, and he troubled himself with his two Virginians and his Philip only when he was seated at his desk.【固成】【爆碎】

【白象】After a while my brother left Winchester and accompanied my father to America. Then another and a different horror fell to my fate. My college bills had not been paid, and the school tradesmen who administered to the wants of the boys were told not to extend their credit to me. Boots, waistcoats, and pocket-handkerchiefs, which, with some slight superveillance, were at the command of other scholars, were closed luxuries to me. My schoolfellows of course knew that it was so, and I became a Pariah. It is the nature of boys to be cruel. I have sometimes doubted whether among each other they do usually suffer much, one from the other’s cruelty; but I suffered horribly! I could make no stand against it. I had no friend to whom I could pour out my sorrows. I was big, and awkward, and ugly, and, I have no doubt, sulked about in a most unattractive manner. Of course I was ill-dressed and dirty. But ah! how well I remember all the agonies of my young heart; how I considered whether I should always be alone; whether I could not find my way up to the top of that college tower, and from thence put an end to everything? And a worse thing came than the stoppage of the supplies from the shopkeepers. Every boy had a shilling a week pocket-money, which we called battels, and which was advanced to us out of the pocket of the second master. On one awful day the second master announced to me that my battels would be stopped. He told me the reason — the battels for the last half-year had not been repaid; and he urged his own unwillingness to advance the money. The loss of a shilling a week would not have been much — even though pocket-money from other sources never reached me — but that the other boys all knew it! Every now and again, perhaps three or four times in a half-year, these weekly shillings were given to certain servants of the college, in payment, it may be presumed, for some extra services. And now, when it came to the turn of any servant, he received sixty-nine shillings instead of seventy, and the cause of the defalcation was explained to him. I never saw one of those servants without feeling I had picked his pocket.【量什】【起长】

【三丈】Nina Balatka, 1867 450 0 0【姐姐】【拽出】

【禁锢】Australia and New Zealand, 1873 1300 0 0【果是】【尊水】

【问题】I fancied that I knew that the opposition to an international copyright was by no means an American feeling, but was confined to the bosoms of a few interested Americans. All that I did and heard in reference to the subject on this further visit — and having a certain authority from the British Secretary of State with me I could hear and do something — altogether confirmed me in this view. I have no doubt that if I could poll American readers, or American senators — or even American representatives, if the polling could be unbiassed — or American booksellers, 13 that an assent to an international copyright would be the result. The state of things as it is is crushing to American authors, as the publishers will not pay them a liberal scale, knowing that they can supply their customers with modern English literature without paying for it. The English amount of production so much exceeds the American, that the rate at which the former can be published rules the market. it is equally injurious to American booksellers — except to two or three of the greatest houses. No small man can now acquire the exclusive right of printing and selling an English book. If such a one attempt it, the work is printed instantly by one of the leviathans — who alone are the gainers. The argument of course is, that the American readers are the gainers — that as they can get for nothing the use of certain property, they would be cutting their own throats were they to pass a law debarring themselves from the power of such appropriation. In this argument all idea of honesty is thrown to the winds. It is not that they do not approve of a system of copyright — as many great men have disapproved — for their own law of copyright is as stringent as is ours. A bold assertion is made that they like to appropriate the goods of other people; and that, as in this case, they can do so with impunity, they will continue to do so. But the argument, as far as I have been able to judge, comes not from the people, but from the bookselling leviathans, and from those politicians whom the leviathans are able to attach to their interests. The ordinary American purchaser is not much affected by slight variations in price. He is at any rate too high-hearted to be affected by the prospect of such variation. It is the man who wants to make money, not he who fears that he may be called upon to spend it, who controls such matters as this in the United States. It is the large speculator who becomes powerful in the lobbies of the House, and understands how wise it may be to incur a great expenditure either in the creation of a great business, or in protecting that which he has created from competition. Nothing was done in 1868 — and nothing has been done since (up to 1876). A Royal Commission on the law of copyright is now about to sit in this country, of which I have consented to be a member; and the question must then be handled, though nothing done by a Royal Commission here can effect American legislators. But I do believe that if the measure be consistently and judiciously urged, the enemies to it in the States will gradually be overcome. Some years since we had some quasi private meetings, under the presidency of Lord Stanhope, in Mr. John Murray’s dining-room, on the subject of international copyright. At one of these I discussed this matter of American international copyright with Charles Dickens, who strongly declared his conviction that nothing would induce an American to give up the power he possesses of pirating British literature. But he was a man who, seeing clearly what was before him, would not realise the possibility of shifting views. Because in this matter the American decision had been, according to his thinking, dishonest, therefore no other than dishonest decision was to be expected from Americans. Against that idea I protested, and now protest. American dishonesty is rampant; but it is rampant only among a few. It is the great misfortune of the community that those few have been able to dominate so large a portion of the population among which all men can vote, but so few can understand for what they are voting.【开世】【只车】

【的精】The Golden Lion of Granpere, 1872 550 0 0【方式】【破的】

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It is, I think, the defect of George Eliot that she struggles too hard to do work that shall be excellent. She lacks ease. Latterly the signs of this have been conspicuous in her style, which has always been and is singularly correct, but which has become occasionally obscure from her too great desire to be pungent. It is impossible not to feel the struggle, and that feeling begets a flavour of affectation. In Daniel Deronda, of which at this moment only a portion has been published, there are sentences which I have found myself compelled to read three times before I have been able to take home to myself all that the writer has intended. Perhaps I may be permitted here to say, that this gifted woman was among my dearest and most intimate friends. As I am speaking here of novelists, I will not attempt to speak of George Eliot’s merit as a poet.
Amanda Fennell
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(Signed) “J. TILLEY.”
Raymond Deplazes
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The Editor’s Tales was a volume republished from the St. Paul’s Magazine, and professed to give an editor’s experience of his dealings with contributors. I do not think that there is a single incident in the book which could bring back to any one concerned the memory of a past event. And yet there is not an incident in it the outline of which was not presented to my mind by the remembrance of some fact:— how an ingenious gentleman got into conversation with me, I not knowing that he knew me to be an editor, and pressed his little article on my notice; how I was addressed by a lady with a becoming pseudonym and with much equally becoming audacity; how I was appealed to by the dearest of little women whom here I have called Mary Gresley; how in my own early days there was a struggle over an abortive periodical which was intended to be the best thing ever done; how terrible was the tragedy of a poor drunkard, who with infinite learning at his command made one sad final effort to reclaim himself, and perished while he was making it; and lastly how a poor weak editor was driven nearly to madness by threatened litigation from a rejected contributor. Of these stories, The Spotted Dog, with the struggles of the drunkard scholar, is the best. I know now, however, that when the things were good they came out too quick one upon another to gain much attention — and so also, luckily, when they were bad.
Marcus O'Brien
______
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We use Commision Factory to collect data about your behavior on our sites. This may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. We use this data to measure our site performance and evaluate the ease of your online experience, so we can enhance our features. We also use advanced analytics methods to optimize your experience with email, customer support, and sales.
Interstate (Access Trade)
We use Interstate (Access Trade) to collect data about your behavior on our sites. This may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. We use this data to measure our site performance and evaluate the ease of your online experience, so we can enhance our features. We also use advanced analytics methods to optimize your experience with email, customer support, and sales.

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Improve your experience – allows us to show you what is relevant to you

Google Optimize
We use Google Optimize to test new features on our sites and customize your experience of these features. To do this, we collect behavioral data while you’re on our sites. This data may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, your IP address or device ID, your Autodesk ID, and others. You may experience a different version of our sites based on feature testing, or view personalized content based on your visitor attributes.
ClickTale
We use ClickTale to better understand where you may encounter difficulties with our sites. We use session recording to help us see how you interact with our sites, including any elements on our pages. Your Personally Identifiable Information is masked and is not collected.
OneSignal
We use OneSignal to deploy digital advertising on sites supported by OneSignal. Ads are based on both OneSignal data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that OneSignal has collected from you. We use the data that we provide to OneSignal to better customize your digital advertising experience and present you with more relevant ads.

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Customize your advertising – permits us to offer targeted advertising to you

Adobe Analytics
We use Adobe Analytics to collect data about your behavior on our sites. This may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, your IP address or device ID, and your Autodesk ID. We use this data to measure our site performance and evaluate the ease of your online experience, so we can enhance our features. We also use advanced analytics methods to optimize your experience with email, customer support, and sales.
Google Analytics (Web Analytics)
We use Google Analytics (Web Analytics) to collect data about your behavior on our sites. This may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. We use this data to measure our site performance and evaluate the ease of your online experience, so we can enhance our features. We also use advanced analytics methods to optimize your experience with email, customer support, and sales.
AdWords
We use AdWords to deploy digital advertising on sites supported by AdWords. Ads are based on both AdWords data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that AdWords has collected from you. We use the data that we provide to AdWords to better customize your digital advertising experience and present you with more relevant ads.
Marketo
We use Marketo to send you more timely and relevant email content. To do this, we collect data about your online behavior and your interaction with the emails we send. Data collected may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, your IP address or device ID, email open rates, links clicked, and others. We may combine this data with data collected from other sources to offer you improved sales or customer service experiences, as well as more relevant content based on advanced analytics processing.
Doubleclick
We use Doubleclick to deploy digital advertising on sites supported by Doubleclick. Ads are based on both Doubleclick data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Doubleclick has collected from you. We use the data that we provide to Doubleclick to better customize your digital advertising experience and present you with more relevant ads.
Ziff Davis
We use Ziff Davis to deploy digital advertising on sites supported by Ziff Davis. Ads are based on both Ziff Davis data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Ziff Davis has collected from you. We use the data that we provide to Ziff Davis to better customize your digital advertising experience and present you with more relevant ads.
HubSpot
We use HubSpot to send you more timely and relevant email content. To do this, we collect data about your online behavior and your interaction with the emails we send. Data collected may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, your IP address or device ID, email open rates, links clicked, and others.
Twitter
We use Twitter to deploy digital advertising on sites supported by Twitter. Ads are based on both Twitter data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Twitter has collected from you. We use the data that we provide to Twitter to better customize your digital advertising experience and present you with more relevant ads.
Facebook
We use Facebook to deploy digital advertising on sites supported by Facebook. Ads are based on both Facebook data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Facebook has collected from you. We use the data that we provide to Facebook to better customize your digital advertising experience and present you with more relevant ads.
Sprinklr
We use Sprinklr to deploy digital advertising on sites supported by Sprinklr. Ads are based on both Sprinklr data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Sprinklr has collected from you. We use the data that we provide to Sprinklr to better customize your digital advertising experience and present you with more relevant ads.
Dstllery
We use Dstllery to deploy digital advertising on sites supported by Dstllery. Ads are based on both Dstllery data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Dstllery has collected from you. We use the data that we provide to Dstllery to better customize your digital advertising experience and present you with more relevant ads.
Marin
We use Marin to evaluate the performance of our campaigns managed by Marin. To enable this, we share purchase data from our sites with Marin. The data is used to optimize our campaign outreach.
LinkedIn
We use LinkedIn to deploy digital advertising on sites supported by LinkedIn. Ads are based on both LinkedIn data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that LinkedIn has collected from you. We use the data that we provide to LinkedIn to better customize your digital advertising experience and present you with more relevant ads.
Yandex
We use Yandex to deploy digital advertising on sites supported by Yandex. Ads are based on both Yandex data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Yandex has collected from you. We use the data that we provide to Yandex to better customize your digital advertising experience and present you with more relevant ads.
Baidu
We use Baidu to deploy digital advertising on sites supported by Baidu. Ads are based on both Baidu data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Baidu has collected from you. We use the data that we provide to Baidu to better customize your digital advertising experience and present you with more relevant ads.
Yahoo! Japan
We use Yahoo! Japan to deploy digital advertising on sites supported by Yahoo! Japan. Ads are based on both Yahoo! Japan data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Yahoo! Japan has collected from you. We use the data that we provide to Yahoo! Japan to better customize your digital advertising experience and present you with more relevant ads.
Naver
We use Naver to deploy digital advertising on sites supported by Naver. Ads are based on both Naver data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Naver has collected from you. We use the data that we provide to Naver to better customize your digital advertising experience and present you with more relevant ads.
Storygize
We use Storygize to deploy digital advertising on sites affiliated with Storygize. Ads are based on behavioral data that we collect while you’re on our sites. Data may include pages you’ve visited, trials you’ve initiated, purchases you’ve made, and your IP address and device ID. Your information may be combined with behavior you’ve exhibited on other sites associated with Storygize. We use the data that we provide to Storygize to better customize your digital advertising experience and present you with more relevant ads.
Quantcast
We use Quantcast to deploy digital advertising on sites supported by Quantcast. Ads are based on both Quantcast data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Quantcast has collected from you. We use the data that we provide to Quantcast to better customize your digital advertising experience and present you with more relevant ads.
AdRoll
We use AdRoll to deploy digital advertising on sites supported by AdRoll. Ads are based on both AdRoll data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that AdRoll has collected from you. We use the data that we provide to AdRoll to better customize your digital advertising experience and present you with more relevant ads.
Capterra Conversion
We use Capterra Conversion to deploy digital advertising on sites supported by Capterra Conversion. Ads are based on both Capterra Conversion data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Capterra Conversion has collected from you. We use the data that we provide to Capterra Conversion to better customize your digital advertising experience and present you with more relevant ads.
Call Tracking
We use Call Tracking to provide customized phone numbers for our campaigns. This gives you faster access to our agents and helps us more accurately evaluate our performance. We may collect data about your behavior on our sites based on the phone number provided.
BounceX
We use BounceX to deploy digital advertising on sites supported by BounceX. Ads are based on both BounceX data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that BounceX has collected from you. We use the data that we provide to BounceX to better customize your digital advertising experience and present you with more relevant ads.
ADC Media
We use ADC Media to deploy digital advertising on sites supported by ADC Media. Ads are based on both ADC Media data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that ADC Media has collected from you. We use the data that we provide to ADC Media to better customize your digital advertising experience and present you with more relevant ads.
AgrantSEM
We use AgrantSEM to deploy digital advertising on sites supported by AgrantSEM. Ads are based on both AgrantSEM data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that AgrantSEM has collected from you. We use the data that we provide to AgrantSEM to better customize your digital advertising experience and present you with more relevant ads.
Bidtellect
We use Bidtellect to deploy digital advertising on sites supported by Bidtellect. Ads are based on both Bidtellect data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Bidtellect has collected from you. We use the data that we provide to Bidtellect to better customize your digital advertising experience and present you with more relevant ads.
Bing
We use Bing to deploy digital advertising on sites supported by Bing. Ads are based on both Bing data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Bing has collected from you. We use the data that we provide to Bing to better customize your digital advertising experience and present you with more relevant ads.
G2Crowd
We use G2Crowd to deploy digital advertising on sites supported by G2Crowd. Ads are based on both G2Crowd data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that G2Crowd has collected from you. We use the data that we provide to G2Crowd to better customize your digital advertising experience and present you with more relevant ads.
InPowered
We use InPowered to deploy digital advertising on sites supported by InPowered. Ads are based on both InPowered data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that InPowered has collected from you. We use the data that we provide to InPowered to better customize your digital advertising experience and present you with more relevant ads.
NMPI Display
We use NMPI Display to deploy digital advertising on sites supported by NMPI Display. Ads are based on both NMPI Display data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that NMPI Display has collected from you. We use the data that we provide to NMPI Display to better customize your digital advertising experience and present you with more relevant ads.
VK
We use VK to deploy digital advertising on sites supported by VK. Ads are based on both VK data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that VK has collected from you. We use the data that we provide to VK to better customize your digital advertising experience and present you with more relevant ads.
Adobe Target
We use Adobe Target to test new features on our sites and customize your experience of these features. To do this, we collect behavioral data while you’re on our sites. This data may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, your IP address or device ID, your Autodesk ID, and others. You may experience a different version of our sites based on feature testing, or view personalized content based on your visitor attributes.
Google Analytics (Advertising)
We use Google Analytics (Advertising) to deploy digital advertising on sites supported by Google Analytics (Advertising). Ads are based on both Google Analytics (Advertising) data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Google Analytics (Advertising) has collected from you. We use the data that we provide to Google Analytics (Advertising) to better customize your digital advertising experience and present you with more relevant ads.
Trendkite
We use Trendkite to deploy digital advertising on sites supported by Trendkite. Ads are based on both Trendkite data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Trendkite has collected from you. We use the data that we provide to Trendkite to better customize your digital advertising experience and present you with more relevant ads.
Demandbase (Advertising)
We use Demandbase (Advertising) to deploy digital advertising on sites supported by Demandbase (Advertising). Ads are based on both Demandbase (Advertising) data and behavioral data that we collect while you’re on our sites. The data we collect may include pages you’ve visited, trials you’ve initiated, videos you’ve played, purchases you’ve made, and your IP address or device ID. This information may be combined with data that Demandbase (Advertising) has collected from you. We use the data that we provide to Demandbase (Advertising) to better customize your digital advertising experience and present you with more relevant ads.

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